This question is proving interesting, and difficult. I resolve to pursue it night and day. I have a go – asking myself from time to time, in the midst of ordinary life, ‘What was I conscious of a moment ago?’
As I get used to the exercise, the response settles down to a pattern. I usually find several things; several candidates for things I might have been conscious of a moment ago. Sounds are the easiest bet. They hang on. They take time. When I light upon them, they always seem to have been going on for some time, and it feels as though I have been conscious of them. There is the sound of the cars outside in the distance. There’s the ticking of the clock. There’s the beating of my own heart. And then – oh goodness me – how could I have ignored that. There’s my breath. Surely I have been watching my breath, haven’t I?
Susan Blackmore, Zen and the Art of Consciousness
I’m sure that, in a sense, this is a familiar enough experience for most of us: to suddenly become aware, in the midst of practice, especially, of an ongoing sound – a clock chiming, a cat purring (both examples from Blackmore’s book) – coupled with the realisation that it has been going on for some time already. But when? When did we become aware? At the first stroke of the clock? Or when we noticed it, say at four strokes? If it was the former, why hadn’t it been the focus of the conscious mind? If the latter, what was going on before we noticed?
There is no answer, says [Daniel] Dennett. There is simply no way in which one could ever tell. Looking inside the brain won’t tell you, for the signals were being processed in the relevant bits of brain whichever way you describe it, and asking the person won’t tell you because she doesn’t know either. So it’s a difference that makes no difference. And what should we do with a difference that makes no difference? Forget it; accept that there is no answer to the question ‘What was I conscious of a moment ago?’ Can that really be right? …
[W]hen I look, I can find at least one, and often many, threads of things that I might have been conscious of a moment ago but which seem to have had no connection with each other. Who then was conscious of them? Surely someone was because they have that quality of having been listened to, having been stared at, having been felt or smelt or tasted – by someone. Was it me? Unless there were several mes at once, then no. Or is it that I am split up in reverse; that going backwards I can find lots of routes to the past? This is how it seems. Threads is the right word. From any point – from any now – I can look back and find these myriad threads. They feel perfectly real. They feel as though I was listening to that blackbird’s song, that drone of traffic, that distant hammering somewhere up the hill, the purring cat beside me. But each one has this peculiar quality…
I can go round and round, starting with the middle of the view out there, working in carefully towards myself in the centre, and there I find only the same old view, to start all over again. How did that happen? I was looking for the me that was looking and I found only the world. It’s a familiar enough trick, but easily forgotten. Look for the viewing self and find only the view. I am, it seems, the world I see.
Blackmore, ibid.
That, of course, is the crux of all this, the unimaginable but undeniable Istigkeit that we always try not to see: there is no self remembering, no inner seamstress patterning the threads. There is the living loveliness of just what is, nothing more. What is arises of itself, comes to be because that is what it is. Light strikes the water, sparkling instants. Mind perceives. Thoughts think themselves. Everything is as it is, acts according to itself. What else could it be? There is only what is, clear and pure as a raindrop on the window of – what? – mind? Only what is. That is all there is.
