Tag Archives: Ursula le Guin

Altered states?

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Whether the technique is narrative or not, the primary experience [what the senses, or the dreaming mind, actually perceive] has to be connected with and fitted into the rest of experience to be useful, probably even to be available, to the mind. This may hold even for mystical perception. All mystics say that what they have experienced in vision cannot be fitted into ordinary time and space, but they try – they have to try. The vision is ineffable, but the story begins, “In the middle of the road of our life . . .”

Dreams Must Explain Themselves: The Selected Non-Fiction of Ursula K. Le Guin

This is a problem – if that is the right word for it – that I have run into myself. Direct contemplative experience is, by definition, an altered state of consciousness: it is not in itself accessible even to the rational mind. Andreas Müller explains:

All there is is oneness. The unknown. No-thing appearing as it appears. It is already whole. It is already complete. That which seems to be missing – wholeness – is not lost…

What remains is indescribable. It is indescribable simply because there is no one left who can describe it. There is no one left who experiences oneness (which, by the way, would then not be oneness anymore) and could possibly know how that is. Yes, there is no one left who knows how it is. That is freedom.

As Le Guin points out, if we want to talk about our experience, even to think about it, it must be recast into something approaching narrative. This has an odd effect; what happens is that something which occurred, subjectively speaking, outside time (i.e. without duration) has to be described – thought of, even – as though it had a beginning, a middle and an end. Even in poetry this is true, though that is perhaps rather less obvious!

There is no way around this, I think. Primary experience has to be experienced; it can’t be explained, or taught. What can be explained, and taught, is the practice that makes a place for the possible. Nothing we can do can cause these experiences; all we can do is try our best to remove obstacles to their occurring. (This, of course, is the great temptation of psychedelics: swallow 250 microgrammes of LSD, and something will happen, whether you like it or not. And God help you if you don’t.)

From a time-bound perspective, one may spend a long while in regular practice without any alteration in one’s state of consciousness, except perhaps a certain gradual progressive loss of identity and increasing confusion, which can be distressing and even scary. Illumination per se is something that occurs, if it occurs, outside the practitioner’s life-time (I use the hyphen advisedly) altogether. It has no narrative. Nothing can compel this occurrence, and in any case – and this is important – it is not something one can, or should, regard as a goal. The practice is the goal, in itself; nothing more nor less than that. It is the practice that reveals the open ground, the Tao – and this entirely without drama, without altered states of anything. But – practice, effective contemplative practice, is not a narrative process itself. Though you can set a timer for 20 minutes or half an hour, time is not something that applies to the practitioner’s subjective experience. Just sitting, the way we do, is outside of story, outside of “and then, and then…” There is no Jones; and anyway, along where? Just sit still.

Where all things return

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The river, the Tao, the open ground, the source. These are all words, but no thing. Only things have beginnings, or ends. All things (and that includes cats, and people, and impossibly tiny bugs of all kinds) that exist, are. They have being; if they seem to share nothing else, they share that.

The Tao is no thing. It is not a substance. It is without dimensions, without duration, for you can only measure things; but it is. Isness, in fact, is what it is. It can’t have come from anywhere; there is nowhere it could lead. But it is where all things return, even you and I.

The way is empty,
used, but not used up.
Deep, yes! ancestral
to the ten thousand things.

Blunting edge,
loosing bond,
dimming light,
the way is the dust of the way.

Quiet,
yes, and likely to endure…

Tao te Ching, tr. Ursula le Guin

Liminal lands

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There are always liminal lands, out beyond the predictions of common sense or myth, where the mind encounters places strangely common to human experience. Jungians would call them archetypal, perhaps; they crop up, for instance – often in passing – in fantastic fiction. A few examples might be CS Lewis’ Narnia (the Shribble Marshes), Ursula le Guin’s Earthsea (Osskil), Michael Moorcock’s other London (Jerry Cornelius’ Notting Hill), the American Southwest of Ed Dorn’s Gunslinger sequence.

But sometimes they exist in everyday time and space. Lucy Pollock (the emphasis is mine):

At the pumping station, far out on the liminal land through which the river flows, the dog and I turn for home. The fields now are lush with flowering grasses, but for weeks in the winter they will be submerged and this track will become a narrow causeway across the floodplain.

My rage abates. Of course we need science and biotechnology and billions of data points, as we seek to improve the lives of older people, our future selves. But side by side with the science we need a deep and abiding understanding of what it means to be human.

I have encountered such places myself. Much of my earlier writing had to do with them, and their strange coexistence between mind and place: the Wye Valley, the worked-out coal country along the River Browney, Western Park in Leicester. There have been darker places too, since then; like the high grounds above Kimmeridge Bay, home to PD James’ The Black Tower, or the post-UKAEA wasteland of Winfrith Heath. But yours will be different again, like Lucy Pollock’s: places between, times that do not quite align.

Contemplative practice has, in itself, nothing to do with such things. And yet the deep instincts – I’m tempted to call them mystical, even though the word has so many unhelpful connotations – that draw people to the contemplative life – as to the methodologies of psychonautics – are human instincts. Might it not be that these same instincts are themselves the door to this fundamental way of being human – to the liminal lands – since they are themselves in a way reflections of, or reflected in, the silent illumination of the contemplative condition itself?