Tag Archives: Mary Oliver

Contemplation and language

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As I have mentioned before on this blog, writing in secular terms about the contemplative life, even thinking about it (as opposed simply to living it), is all but impossible without engaging with the religious language in which it has been clothed for most of its recorded existence. It is hard to write about the interior life without a framework of what is, effectively, myth, no matter which religion’s terminology is used the describe, even to think, about it. After all, it is so much easier to use a ready-mixed religious language, in which various shades of meaning may be taken more or less for granted without having to struggle actually to describe them. But as AC Grayling wrote:

There are people of sincere piety for whom the religious life is a source of deep and powerful meaning. For them and for others, a spiritual response to the beauty of the world, the vastness of the universe, and the love that can bind one human heart to another, feels as natural and necessary as breathing. Some of the art and music that has been inspired by faith counts among the loveliest and most moving expressions of human creativity. It is indeed impossible to understand either history or art without an understanding of what people believed, feared and hoped through their religious conceptions of the world and human destiny. Religion is a pervasive fact of history, and has to be addressed as such…

To move from the Babel of religions and their claims, and from the too often appalling effects of religious belief and practice on humankind, to the life-enhancing insights of the humanist tradition which most of the world’s educated and creative minds have embraced, is like escaping from a furnace to cool waters and green groves…

[W]hat alternative can the non-religious offer to religion as the focus for expression of those spiritual yearnings, that nostalgia for the absolute, the profound bass-note of emotion that underlies the best and deepest parts of ourselves? Often this question is asked rhetorically, as if there is no answer to it, the assumption being that by default religion is the only thing that speaks to these aspects of human experience, even if religion is false and merely symbolic. The symbolism, some views have it, is enough to do the work.

The God Argument: The Case Against Religion and for Humanism, pp.1,7

Contemplation is not about escaping the world; it’s more about seeing the threads that connect it to all that is. It’s not a matter of reconciling the world to some imagined deity; it’s a matter of discovering that the world is not other than its metaphysical ground. Simone Weil wrote, “Attention is the rarest and purest form of generosity.” “Where I place my attention shapes what I become. To attend to the suffering of others, the beauty of the world, or the silence within is to participate in the creation of meaning—not because a god demands it, but because the world needs it.” (Mistral Le Chat, in response to user query)

To express the not-other-ness of each other, of “all that is made” (Julian of Norwich), is more often the work of poetry – see Mary Oliver, or JH Prynne – than of philosophy; and when philosophy does take up the challenge, the result is famously difficult – Martin Heidegger, AN Whitehead, even Benedictus Spinoza, for instance. A few, RS Thomas occurs to me, manage to write poetry that is as difficult to read as the metaphysicians. So who am I to complain that I don’t find this blog easy to write?

The only approach that seems to offer a glimmer of hope here is, perhaps oddly, unknowing.

Much has been made of the difference, indeed the opposition, of religion and science. But the more we hear of modern scientific research, especially in physics, the closer they seem to be. Contrary to popular belief, science is not about establishing indisputable facts, it is about positing and attempting to prove (or disprove) hypotheses, with the understanding that any discovery may be superseded in the future. Science is about a spirit of enquiry. The unknown is accepted, even welcomed as a challenge for future research. As biologist Stuart Firestein said, “What we don’t know is our job. It’s much more interesting to think about what we don’t know than what we do know.” That too is the mystic position.

But, whereas scientists may see this place as a challenge to learn more and to eradicate more areas of uncertainty, for mystics or spiritual seekers, the challenge may be about embracing that uncertainty, about accepting that for some questions there will be no answers – and that it doesn’t matter. Not only that it doesn’t matter but that the unforeseen may contain riches that go beyond what in our habitual ways of thinking and in our workaday lives we are capable of imagining. In giving the unforeseen more of a chance, we are opening up opportunities for our creative selves, for spontaneity, for the part of us that goes beyond the routine certainties of everyday life.

If we recognise that it is the unforeseen that might have the most importance in our lives, we may allow ourselves to welcome uncertainty…

Jennifer Kavanagh, A Little Book of Unknowing, p.15

Further reflections of a marsh-wiggle

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Five years ago, almost to the day, I wrote a post on an earlier blog which I feel may bear re-posting here. What is interesting is how, despite the potentially misleading quote from CS Lewis, it contains the seeds of my present path and its praxis, and of my still gradually crystallising realisations regarding solitude. Here it is:

I have struggled for much of my life with what might be described as my calling, my primary vocation, or whatever term might better be used to describe what I am supposed to do with my “one wild and precious life”, to plunder Mary Oliver again.

I have known since childhood the power of solitude, of lonely places; and I have always been most at home alone in the grey wind, without a destination or timetable, or sitting by myself in a sunlit garden, watching the tiny velvety red mites threading their paths on a warm stone bench. I used to think it was my duty to enter that world on some kind of a quest, looking to see what I might find, what treasure I might bring back to the known world.

Eve Baker writes, in Paths in Solitude:

The solitary is the bearer of the future, of that which is not yet born, of the mystery which lies beyond the circle of lamplight or the edge of the known world. There are some who make raids into this unknown world of mystery and who come back bearing artefacts. These are the creative artists, the poets who offer us their vision of the mystery…

But a raider is not at home: his raids are fitful incursions into a land not his own, and what he sees there he sees as raw material, uncut stones he may haul back into the world of action and reward, there to be cut into poems, music. The real treasures of the hidden world are scarcely visible to a raider, nor, like Eurydice, will they survive the journey back to the known world.

Eve Baker goes on:

But there are also those who make solitude their home, who travel further into the inner desert, from which they bring back few artefacts. These are the contemplatives, those who are drawn into the heart of the mystery. Contemplatives have no function and no ministry. They are in [that] world as a fish is in the sea, to use Catherine of Siena’s phrase, as part of the mystery. That they are necessary is proved by the fact that they exist in all religious traditions. Contemplatives are not as a rule called to activity, they are useless people and therefore little understood in a world that measures everything by utility and cash value. Unlike the poet they do not return bearing artefacts, but remain in the desert, pointing to the mystery, drawing others in.

Marsh-wiggles live, in CS Lewis’ Narnia, out in the salt marshes beyond the hills and the forest, and farther still from the cities bright with trade and pageantry. Their simple homes are set well apart from one another, out on the “great flat plain” of the marshlands. Puddleglum, the marsh-wiggle we meet in The Silver Chair, comes up with, when his back is against the wall, one of the most remarkable statements of faith in Lewis’ fiction:

“Suppose we have only dreamed, or made up, all of those things—trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones… We’re just babies making up a game, if you’re right. But four babies playing a game can make a play-world which licks your real world hollow. That’s why I’m going to stand by the play-world. I’m on Aslan’s side even if there isn’t any Aslan to lead it. I’m going to live as like a Narnian as I can even if there isn’t any Narnia… and that’s a small loss if the world’s as dull as you say.”

Perhaps contemplatives are only kidding themselves. Perhaps they are, to take Baker’s semi-irony literally, quite useless people. But our uselessness may yet be a good deal more useful in the dark and doubt of humanity’s pain than all the utilities of the marketable world.

It seems that life as a marsh-wiggle may be closer to my own calling than I would have guessed. To move deeper into the saltmarsh of the spirit, closer to the edge of the last sea, may mean the giving up, not of love and companionship perhaps, but of many of the comfortable certainties, and the familiar tools of the raider’s life. A wiggle’s wigwam is good enough, maybe.