Tag Archives: practice

Time and practice

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There is an odd thing about time: that practice which appears pointless, tedious, or irredeemably flawed nevertheless works just as well, in terms of growth or awakening, as the most apparently instructive or illuminating kind.

Time is the key, it seems. What happens during actual sitting matters far less than we might think; it is only over the months and years that the value of our practice appears, and even then with little reference to our memories of good – or bad – sessions.

Once again, it seems, all we need to do is to sit still, as patiently as we can manage. Something is going on beyond our conscious notice that we simply don’t understand; something that changes everything when we are not looking.

Our quiet breathing, the flickering, adhesive passage of thoughts, the sounds filtering up from the street, birdsong, weather – these are what matter in the end, it seems. How we feel about them at the moment seems to have little to do with anything. As the years pass things will change, as they do anyway; only we shall be changed in different ways – at times radically different – than we would have been without our practice. Could we have chosen differently? I’m not sure the question even makes sense. We are the change, ourselves; and what we were is no longer here.

Sit still. Watch. Nothing else is needed, except that we show up on time.

Open awareness

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I had not a dispute but a disquisition with Dilke, upon various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously—I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason—Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half-knowledge. This pursued through volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.

John Keats, The Complete Works of John Keats: Poems, Plays & Personal Letters, p.763

Slowly it is being borne in upon me that open awareness is not so much a state of mind among other states of mind, but mind itself. Forgive me if I quote here again a summary of Spinoza’s three kinds of knowledge, but it may help to refresh our minds:

In Ethics (Part II, Proposition 40, Scholium 2), Spinoza outlines three kinds of knowledge:

  1. Opinion or Imagination (opinio): Based on sensory experience and hearsay—fragmentary and often confused.
  2. Reason (ratio): Deductive, conceptual understanding of things through their common properties—clearer, but still mediated.
  3. Intuitive Knowledge (scientia intuitiva): A direct, immediate grasp of things through their essence in God—non-discursive, holistic, and transformative.

Spinoza writes that intuitive knowledge “proceeds from an adequate idea of the formal essence of certain attributes of God to the adequate knowledge of the essence of things.” It’s not inference—it’s seeing.

(Microsoft Copilot, response to user query, November 9 2025)

What I referred to the other day as “our normal everyday consciousness” is Spinoza’s first kind of knowledge: limited, conditional and conditioned, irredeemably self-centred. The second kind of knowledge is the one we employ in thinking things through, whether how to hang wallpaper straight or the ontological argument – Keats’ “irritable reaching after fact and reason”. But the third kind is a leap into something entirely different.

The third kind of knowledge is direct seeing; and in my experience, just sitting, simply aware of thoughts just as much as sensations, of sounds, and of the body’s weight and presence, you begin to be aware somehow of awareness itself; not as a thing among other things, but as the bright field within which things come to be. Somehow awareness itself is not other than the open ground of all that is – isness itself.

This is not a matter of academic philosophy  – in any case I have no formal training in that field at all – but of plain observation. Open awareness is an overarching presence, awareness itself, objectless and unconditioned. Within awareness itself things appear – the “ten thousand things” of the Taoists, the Śūnyatā of the Mahayana Buddhists, Spinoza’s modes – but open awareness, that holds and gives rise to them all, is no thing. It merely is.

What is awareness?

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Sitting quietly, it becomes apparent that awareness is not the same thing at all as thought. It’s not the same as physical sensations, either. Thoughts and sensations are objects within awareness; things seen, perhaps, against stillness. Awareness is no thing; it can’t be the object of any subject whatever, it seems.

Try it. Try merely being aware of awareness. (It’s much the same as Sam Harris’ introduction to the practice of Dzogchen – “looking for the one who is looking”.) You will find that there is no self to look, nor a self to be looked for, There is only awareness – and that is, after all, no thing.

To sit like this, merely aware – of thoughts just as much as sensations, of sounds, and of the body’s weight sitting – you might begin to be aware somehow of awareness itself; not as a thing among other things, but as the bright field within which things come to be. Somehow awareness itself is not other than the open ground of all that is – isness itself.

This seems to be a big metaphysical bite; but it is not to be chewed, not to be thought through. Leave the thoughts where they fall. Sit in plain awareness, and all the mind’s anxious grasping will eventually fall away like leaves in autumn. The bright field of awareness is all that is; in fact, it really is all that is. Time and place, things and thoughts, are all simply ripples on that bright surface, nothing else.

Sit still. Be quiet. There is nothing you need. Let the bright field be your only home; it is, anyway.

Succession and substance

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The stream is nothing less than the sparkling surface of becoming. For us, I suppose, it is time, since we are transient waves on the motion of what is coming to be; and we can only see what has been – which we call life, or the past.

To come to an end of knowing, to a place where reason and observation fail us, is the beginning of what Spinoza called the Third Kind of Knowledge: direct perception of what is, as a necessary, unique expression of the immediate activity of the stream (God, the Tao). In that we are the locus of seeing, the inevitable awareness in which things come to be what they are.

For me it is in simply sitting still that we come to see the glittering light from the wavelets on the swift skin of the stream itself. We are each no more than that, but beautiful; and able to love, each in our lift and fall on the running stream. Nothing is lost. The stream goes on, and each wavelet cannot be other than the stream itself.

Is it possible?

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Is it possible, at this very moment, to do what we may not have ever been able to do before, which is to look down at the shape our life has made and—suspending all judgment, throwing away every possible frame—simply marvel that this is the shape that my life has made, this and no other?

Noelle Oxenhandler, What Is the Shape of My Life?, Tricycle Magazine, Winter 2025

To sit with this question, simply as it is, may be not unfamiliar when applied to the breath, to the sitting body, to the sounds outside, or to the sunlight on a blank wall or closed eyelids. But it is less familiar when turned, as Oxenhandler does here, to oneself. It is a strange and disorienting practice, with a dzogchen quality, like a wordless pointing-out instruction, about it somewhere. Something appears like a bright skein on the velvety dark of the stream, a shape of purling water, nothing else.

Recently I have found myself drawn into just such a practice. It is not something I choose. It rises up through the usual pattern of unbidden thoughts, and asks for space at least to be, like a map drawn on glass. There is nothing dramatic about it, no sense of “my life flashed before my eyes” – and yet it is there, a kind of Tube map of a lifetime, glittering behind closed eyelids. The least attention, and a pattern enlarges, a stream of cause and effect reveals itself, and is – what? – forgiven? Something like that. An act, yet again, of grace, anyway. There is no judgement here, no impulse to improve anything. It just is as Noelle Oxenhandler suggests (ibid.):

[T]hrough the ups and downs, the joys and heartbreaks of my own… life, there is something I have always been seeking that is beyond any conditions, that is not defined by the particular shape my life has made, by the roads either taken or not taken. In a way, it might be called a kind of negative capability toward the past, an unknowing of the known—in the sense of refraining from any judgment as to whether what happened was good, bad, something to be regretted or celebrated, whether all together it made the shape of a life that “worked out” or “didn’t work out.”

On the map beneath the glass there is nothing even to heal. The lines and stops stand out against the dark, and my breath comes and goes. There is no story here, just a pattern in the quiet. Nothing to conclude. The bright pattern stands against silence, as it is.

[First published 20/11/2025]

The fundamental unknowability of God

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In the Wikipedia entry on Panentheism, we read:

Baruch Spinoza… claimed that “Whatsoever is, is in God, and without God nothing can be, or be conceived. “Individual things are nothing but modifications of the attributes of God, or modes by which the attributes of God are expressed in a fixed and definite manner.” Though Spinoza has been called the “prophet” and “prince” of pantheism, in a letter to Henry Oldenburg Spinoza states that: “as to the view of certain people that I identify god with nature (taken as a kind of mass or corporeal matter), they are quite mistaken”. For Spinoza, our universe (cosmos) is a mode under two attributes of Thought and Extension. God has infinitely many other attributes which are not present in our world.

According to German philosopher Karl Jaspers, when Spinoza wrote “Deus sive Natura” (God or Nature) Spinoza did not mean to say that God and Nature are interchangeable terms, but rather that God’s transcendence was attested by God’s infinitely many attributes, and that two attributes known by humans, namely Thought and Extension, signified God’s immanence. Furthermore, Martial Guéroult suggested the term panentheism, rather than pantheism to describe Spinoza’s view of the relation between God and the world. The world is not God, but it is, in a strong sense, “in” God.

It seems to me that in this sense Spinoza’s God is almost the Western philosophical equivalent of the ancient Chinese philosophical concept of the Tao. The Tao is not itself “the ten thousand things” (i.e. material existence) but “The name that can be named is not the eternal name. The nameless is the beginning of Heaven and Earth. The named is the mother of ten thousand things.” (Laozi) To sit quietly and recall that the coming to be of things in time is no more than the result of things that have been, and that things themselves rest in the open ground as wavelets rest in the flowing stream, is to see that the stream itself – the Tao, God, Being – is prior to all that is. “He is before all things, and in him all things hold together” (Colossians 1:17 NIV).

As Spinoza himself pointed out, there are three kinds of knowledge:

In Ethics (Part II, Proposition 40, Scholium 2), Spinoza outlines three kinds of knowledge:

1. Opinion or Imagination (opinio): Based on sensory experience and hearsay—fragmentary and often confused.

2. Reason (ratio): Deductive, conceptual understanding of things through their common properties—clearer, but still mediated.

3. Intuitive Knowledge (scientia intuitiva): A direct, immediate grasp of things through their essence in God—non-discursive, holistic, and transformative.

Spinoza writes that intuitive knowledge “proceeds from an adequate idea of the formal essence of certain attributes of God to the adequate knowledge of the essence of things.” It’s not inference—it’s seeing. 

(Microsoft Copilot, in response to user query, 31 October 2025)

The second kind of knowledge, rational thought, cannot make the connection with the Ground. But to sit still with the knowledge, to sit stil in the impossibility of speech, like a Zen monk with a koan, is to allow “the fundamental unknowability of God” (Wikipedia) to open into the Ground all by itself. When we come to an end of what we can say – what we can think – the only path open is the way of emptiness, into the infinite pleroma of what actually is.

[First published 16/11/2025]

By the window

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By the window where I sit I am always aware of the sounds from outside – more so when it’s mild enough to leave the window ajar on its hook – and they have come to be an important part of my practice, somehow. Gradually I have come to tell myself less stories about them, but they are always there, as inevitable as my breathing, but more various.

 In summer there is birdsong – the blackbirds especially, and the inevitable magpies (if you  can call that song). In winter there isn’t much except the chacking of jackdaws from their roost in the old water tower, and the occasional robin’s episodic twitter. But there’s always the traffic from the road at the end of the garden: the background shush (and splash if it’s raining) of tires, recognisable engines – motorcycles (I have to try and avoid identifying these), buses, lorries – the occasional wail of a siren. Sometimes you can hear voices from the bus stop on this side of the road.

I always sit with my eyes closed, but I am aware of the light. I don’t know if that’s because, unconsciously, I remember what it was like when I sat down and set my timer, or whether I’m picking up the light through my lowered eyelids. I do have a sense, though, of the presence of the day around me, whether it’s first thing in the morning or before supper in the evening. There’s a clarity about that which reminds me of the season as well – bright sunlight at both ends of the day in summer, dimpsy in winter.

It’s more than ten years now that I’ve been sitting in this particular window. Generations of birds have come and gone, the trees at the back of the garden are taller now – and one fell in a high wind earlier this year – and the shrubs have grown and changed. Leaves drift these November days across the lawn, building up around the bushes until they’re cleared again. This place has become dear and familiar; there is a sense, almost, of the Benedictine quality of “stability of life”, and these ordinary things have acquired for me something approaching sacredness – the more so because they are ordinary. There is nothing else I need.

[First published 14/11/2025]

Silence and language

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Even in silence, the linguistic apparatus of our brain continues in the background wash of thought. Even when we avoid the incessant temptation to follow, to identify with thoughts as they arise, we know they are there, spinning their webs of language in the corners of our awareness like spiders in the corners of the window frame.

We can attend to our breathing, to our proprioception, to the sensations of our body resting where it rests; but the thoughts with their language continue as before. What if we were to use the linguistic yearnings of our mind in our contemplative practice itself?

Stephanie Paulsell: “Contemplation… [i]t’s not a capacity we possess; it’s a gift from outside of us—from God… There are these things… reading, meditation, prayer… you can do to make yourself vulnerable and available to the experience, but contemplation is a form of wordless prayer that’s a gift…”

And then there are the prayers of repetition, acting almost as a semantic container for presence, a way of using the mind’s own hunger for language as a route to silence.

True contemplative silence is no more than resting in the objectless awareness that lies at the end of words. And Stephanie Paulsell is right – it is a gift – one that no intention, no act of will can secure. But we can remain still; it seems that, for me at least, stillness is the central thing “you can do to make yourself vulnerable and available”.

All of practice comes down to stillness in the end; and it is only in stillness that words can finally settle out like sediment in the troubled pond of thought, to leave the steady light of what is in the unobscured clarity of awareness.

Freedom!

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Abbot Christopher Jamison writes:

The first Christian monks and nuns were inspired by the example of St Antony. They lived in the deserts of the Middle East in the fourth and fifthccenturies and became known as the desert fathers and mothers, living in loose associations and gradually founding more structured monasteries. The wisest of them acquired the title abba for men and amma for women, meaning father and mother respectively, which later become abbot and abbess… They did not use the language of freedom, a language that has come to dominate modern discourse. Their central concern was purity of heart, which we might describe as freedom of spirit…

The desert fathers compared purity of heart to the target that a javelin thrower aimed at in the ancient games; a small target may be difficult to hit but it can be done and the effort required draws out the best from the thrower. So purity of heart describes the condition of human beings at their best, when the human capacity for love finds complete expression devoid of any selfish thought. To arrive at this state of being is demanding because human beings are continually tempted to behave selfishly, but the example of many saints shows that it can be done.

Finding Happiness: A monk’s guide to life, Christopher Jamison

So freedom of spirit is found in freedom from identifying with the thoughts of the self – in laying down the self as the centre of experience. Heidegger’s sense of “releasement” (Gelassenheit) from our manipulative human wilfulness then leads to contemplative openness to the mystery of Being (Sein).

But so much of the time we do identify with our self-centred patterns of thought – with the “self” on which our thought is centred – and become entangled once again. We miss the target…

Now, in the Jesus Prayer, “Lord Jesus Christ, Son of God, have mercy on me, a sinner” that last word gives pause to many who see it, in the context of too many clumsy sermons, in a narrowly moralistic light. But the Greek – the Jesus Prayer developed among those early desert monastics of whom Abbot Christopher writes, and was first written down and disseminated in Greek – word is αμαρτωλόν (harmartolón), and αμαρτωλόν carries the sense of “to forfeit by missing the mark”. For the Desert Mothers and Fathers, sin was just that, missing the target of purity of heart, of freedom of spirit; it is not in any direct sense somehow “transgressing a list of naughty-things-to-be-avoided”.

We slip so easily into self-identifying thoughts; freedom of spirit consists in freedom from this self-identification. Note, though, that it is not freedom from thoughts themselves. We can do little about those – they seem to be often no more than artifacts that the brain throws off in its everyday functioning – but we can learn not to identify with them, And that is what practice is for.

Being still

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To remain still is one of the fundamental conditions of contemplative practice, and yet it is also one of its fruits. Many of us will remember how hard it was to stay still as children, even –  maybe especially – when we were explicitly told to. And yet I found that when I as a child had no choice but to remain still, the effect of that simple action – or lack of action – had effects that remain with me to this day.

Before I turned five, I contracted meningitis, and spent what would have been my first year of school slowly recovering. I spent some of the most peaceful and untroubled hours of my life lying on a rug by the old apple trees in the orchard at the back of our house, under the endless vault of the open sky, listening to distant aircraft passing high overhead, or on a flaking stone bench on the patio, watching the little velvety red mites scampering in the sunlight. Time was unlike anything I’d known before, an open ground of appearing, empty of thought but fertile with becoming.

Mathieu Ricard writes (The Art of Meditation, p.93):

According to Buddhist analysis, the world is a result of the coming together of an infinite number of causes and conditions that are continually changing. Just as a rainbow is formed at the precise moment the sun shines on a collection of raindrops and disappears as soon as the factors that produce it are no longer present, phenomena exist in an essentially interdependent mode and have no independent and permanent existence. Ultimate reality is therefore described as empty of independently existing animate or inanimate phenomena. Everything is relationship; nothing exists in and of itself. Once this essential idea has been understood and assimilated, our erroneous perception of our ego and our world gives way to an accurate view of the nature of things and beings – wisdom. Wisdom is not a simple intellectual construction or a compilation of information. It arises from a precise methodology that allows us progressively to eliminate mental blindness and the afflictive emotions that derive from it and, in that way, free us from the principal cause of suffering.

So long as we act in the world from our own will and desire, our own imagined, illusory sense of what is real, the emptiness of forms (“independently existing animate or inanimate phenomena”) will be invisible to us. It is only when we keep still enough that the fragility and contingency of all that appears to be will become clear, like the settling out of sediment in a pond that has been disturbed but is now at rest.

It seems to me that, short of illness or some other unsought but somehow accepted immobility, stillness can only be found in some kind of practice; as far as I am concerned, the simpler the better. Choiceless awareness – just sitting, shikantaza – or the steady releasement of Gelassenheit, are the ways that open themselves to me; gateways into silence and stillness so plain and simple that anyone can use them, regardless of skill or training. All that is needed is regularity and time – faithfulness, if you will – given to the simplest practice, for the “vast and shining presence that is the very source of our being” (Tara Brach) to open around us.