Tag Archives: Andō

Quietism, merely

I have written on several occasions before – most thoroughly perhaps here – about quietism on this blog. But what exactly is it?

Quietism, as a contemplative tendency – it is too diffuse in time and background to be called a movement – is usually described as “that [which], in general, holds that perfection consists in passivity (quiet) of the soul, in the suppression of human effort so that divine action may have full play. Quietistic elements have been discerned in several religious movements, both Christian and non-Christian, through the centuries…” (Britannica)

Quietism, despite having a chequered history among Christians – it was often spoken against as a way of passivity, an accusation levelled at Christian Quietists from the C12 Beguines right through to William Pollard and Francis Frith among nineteenth century Quakers – is a no more than a basic and essential practice of simple unknowing in most schools of contemplative life, from the early Taoists in China,  through the Zen pioneer Dogen’s teaching of shikantaza (just sitting) in thirteenth century Japan, to the philosophy of Jiddu Krishnamurti in the twentieth.

Of course in times of great peril and anxiety such quiet may seem an odd response, but as Andō pointed out in her post I reproduced yesterday, it may be the only true response. Hidden within the darkness and distress there is peace, and the coming light; but it can’t be seen from a place of fear and anger. From the standpoint of a febrile activism it truly appears not to be there. Only in absolute quiet, in an inward listening for the silence between appearances, can we touch the still point of the turning world (Eliot).

In some way that I struggle to explain in words, we deeply need those who, like Andō, have the courage to sit still in silence. To merely wait, hidden, in the “vast and shining presence” (Tara Brach) of what is, is perhaps the single most powerful thing that any of us can do.

Out of great darkness (a reblog)

The endurance of darkness is the preparation for great light.

— St. John of the Cross, Dark Night of the Soul.

For those finding themselves lost in the darkness right now…

Does a seed know darkness, or miss the light, before it even breaks the surface, to grow and bloom?

Hidden in an empty field — ten thousand unborn flowers.

Is it already growing, reaching for the light, already there, hidden, unseen?

Look for yourself, enquire within, turn your attention away from the world, and to the depths of your very being, and you will find the light, masked by this darkness. It is not gone, it is merely hidden behind a veil of disbelief.

Knowing that this is so, reflect on your own seasons of darkness and light, and how they move you, shift you, and so much more is revealed by them.

Hidden in great darkness — great light.

[This is a straightforward reblog: words and image by Andō]

Without time

I have written elsewhere of the days when, as a young boy slowly recovering from a long illness, I lay for hours on a tattered quilt under the trees in the old orchard at the back of our house, Just being as one with the endless blue vault of the sky, with the little black ants walking carefully along the edge of the quilt, the big bumblebees in the apple trees, the distant drone of an aircraft passing high overhead…

Andō quotes from Stonehouse’s Poems for Zen Monks:

Below high cliffs
I live in a quiet place
beyond the reach of time
my mind and the world are one
the crescent moon in the window
the dying fire in the stove
I pity the sleeping man
his butterfly dream so real.

The memory of that remembered place on the Sussex coast is not a thing I return to, and yet the condition is where I find increasingly myself again during practice, or at least it is a gift that comes during particularly graced times of practice. Like the medieval Chinese hermit poet Stonehouse, this stillness is intensely real and present. The last two lines of Stonehouse’s poem refer to Chuang-Tzu’s dream of being a butterfly; as he points out, this is not a dream. Nor, in my case, is it a memory.

I am grateful, extraordinarily grateful, that I spent that long year’s convalescence at home just when I should have been starting school. Just as I had no reason or context for those timeless times on the old quilt in the orchard, I have none for where I come to find myself now. Practice is not even a way there. I think it is no more than a clearing of the way to where I already am.