Patterns in the stream

Is it not, then, a strange inconsistency and an unnatural paradox that “I” resists change in “me” and in the surrounding universe? For change is not merely a force of destruction. Every form is really a pattern of movement, and every living thing is like the river, which, if it did not flow out, would never have been able to flow in. Life and death are not two opposed forces; they are simply two ways of looking at the same force, for the movement of change is as much the builder as the destroyer. The human body lives because it is a complex of motions, of circulation, respiration, and digestion. To resist change, to try to cling to life, is therefore like holding your breath: if you persist you kill yourself.

Alan Watts, The Wisdom of Insecurity

We are, in fact, no thing – in the sense of a static object – at all. We are processes, except that that sounds too sterile, too conceptually fixed; we are swirls, eddies in what happens, in change itself. In that sense the idea of life and death makes no real sense of who or what we are, for we do not begin at birth, or end in death.

Where do I begin and end in space? I have relations to the sun and air which are just as vital parts of my existence as my heart. The movement in which I am a pattern or convolution began incalculable ages before the (conventionally isolated) event called birth, and will continue long after the event called death. Only words and conventions can isolate us from the entirely undefinable something which is everything.

Watts, ibid.

In fact the idea of a fixed and static I (or me, come to that) is entirely an illusion in any case. It is more like a function of memory than an identity. Watts again (ibid.):

In thinking of ourselves as divided into “I” and “me,” we easily forget that consciousness also lives because it is moving. It is as much a part and product of the stream of change as the body and the whole natural world. If you look at it carefully, you will see that consciousness—the thing you call “I”—is really a stream of experiences, of sensations, thoughts, and feelings in constant motion. But because these experiences include memories, we have the impression that “I” is something solid and still, like a tablet upon which life is writing a record.

Yet the “tablet” moves with the writing finger as the river flows along with the ripples, so that memory is like a record written on water—a record, not of graven characters, but of waves stirred into motion by other waves which are called sensations and facts. The difference between “I” and “me” is largely an illusion of memory. In truth, “I” is of the same nature as “me.” It is part of our whole being, just as the head is part of the body. But if this is not realized, “I” and “me,” the head and the body, will feel at odds with each other. “I,” not understanding that it too is part of the stream of change, will try to make sense of the world and experience by attempting to fix it.

It is to this paradox that the whole project of the contemplative life is addressed. To understand the “self” not as a thing but as a pattern in the flow of change is not something that is accessible to the thinking mind; and the only thing to do with the thinking mind is to bring it to an end of itself in practice. Just sitting is the most pointless endeavour: that is the whole point of it. In that stillness, the fractured self (I/me) can begin to heal, and the lovely, fleeting swirl can reveal itself as just the movement of the stream it always was.

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