Since my teens I’ve loved the idea of the road song – music that you play to accompany driving, that somehow measures out the miles in bars and choruses, but is not (probably) about the travelling in itself.

I’ve been blogging on one platform or another since 2005; for four or five years before that I kept a website where I regularly published something like this kind of episodic writing. At one point, and I honestly can’t remember when, it occurred to me that all these bits of (mainly) prose were something like my own road songs, much more than considered accounts of anything. Consequently, they’re not autobiographical as such; they don’t tell a connected story, but are more in the nature of snatches of music heard in passing.

Lately I’ve been trying harder to be honest about some of the tentative conclusions I come across along the way, but I know that knowing is not as easy as that. AC Grayling:

One can believe a true proposition and have a justification for doing so, but the justification can be the wrong one for holding that belief. For example: suppose you believe that Fred is in the next room because you heard Fred’s favourite tune being strummed on Fred’s peculiar-sounding guitar. Fred is indeed in the next room, so your belief is true; but he has taught a friend to strum his favourite tune on his peculiar guitar, and it is the friend strumming. Your justification for holding this true belief is therefore not the right justification in the circumstances. So if you claim to know that Fred is in the next room on the basis of the evidence you employ to justify that claim, you cannot be said to know that Fred is there; you only or merely believe that he is. And very often, indeed, our beliefs are merely beliefs because the justification for them is insufficient to make that belief amount to knowledge.

Human consciousness is not – well, mine isn’t, anyway – so coherent a thing, or so independent of the objects of its perceptions, as to allow me to say, “This is what I think,” and have done with it. Susan Blackmore, in her luminous and heartwarming book Zen and the Art of Consciousness, writes:

At any time in a human brain there are multiple parallel processes going on, conjuring up perceptions, thoughts, opinions, sensations and volitions. None of these is either in or out of consciousness for there is no such place. Most of the time there is no observer: if consciousness is involved at all it is an attribution made later, on the basis of remembering events and assuming that someone must have been experiencing them in the past, when in fact no one was…

Even more interesting will be to understand the basis of those special moments in which one asks ‘Am I conscious now?’ or ‘Who am I?’ I suspect that these entail a massive integration of processes all over the brain and a corresponding sense of richer awareness. These probably occur only rarely in most people, but contribute disproportionately to our idea of ‘what it’s like to be me’. This kind of rich self-awareness may happen more of the time, and more continuously, for those who practise mindfulness. Does it completely disappear in those who transcend it?

To be still, not interfering – not even to ask Blackmore’s questions – allows something odd to happen, it seems to me. The “multiple parallel processes” appear to settle out, like sediment in a disturbed pond. Some sort of clarity supervenes: the layers of the mind rearrange themselves, perhaps, to continue with the metaphor, and the sense of a sequence, or progress, of events is replaced with something else, that is like the patterning of sunlight on the wavelets across the pond. Jiddu Krishnamurti:

When there is no illusion the “what is” is most sacred. Now let’s look at what actually is. At a given moment the “what is” may be fear, or utter despair, or a fleeting joy. These things are constantly changing. And also there is the observer who says, “These things all change around me, but I remain permanent”. Is that a fact, is that what really is? Is he not also changing, adding to and taking away from himself, modifying, adjusting himself, becoming or not becoming? So both the observer and the observed are constantly changing. What is is change. That is a fact. That is what is.

All that happens is that the stillness allows what is to appear, that’s all. The road disappears; the road songs go on changing, and yet somewhere there is something steady. Wieland Samolak:

When I was a teenager I used to sit on an empty field listening for hours to the sounds of distant cars, railroads, helicopters, and other motorized objects. These sounds, which are very rough and noisy when they are near, attracted me from the distance because they had merged and diffused into a continuum when they reached my ears. By this experience it came to my mind that it is more satisfying for me to listen to continuous changes within one sound than to the combinations of discrete sonic events usually found in music.

Just noticing what is – whatever appears in the field of consciousness, without having to label it or evaluate it, without having to either focus one’s attention on it or wrench one’s attention away from it – is perhaps the freshest, most peaceful thing one can do. There is no technique to adhere to, no doctrine to conform to: what is, is, and there’s nothing that needs to be done about it.